HAEKEM: Jacques Foschia I Jean Demey I Pat Riské I SATURDAY APRIL 27th I 19:00

Visual Gerard Daval AI

IMPROVISED MUSIC

Jacques Foschia clarinet & bass clarinet 

Jean Demey double bass

Pat Riské percussion

SATURDAY APRIL 27th 19:00


Haekem Theatre Contemporary Improvised Music Series

Haekem Theatre Brussels
rue de Laeken 66 - 1000 Brussels
Metro De Brouckère or Ste Catherine

IN: 10€, All for the Artists

Haekem: >>>>> 1000 murmurs <<<<< Frid April 26th 19:00

Visual:1000Murmurs

Visual Gerard Daval AI

1000Murmurs
Live immersif, rêve, synths, electro, acoustique, voix et poésie.

Haekem Theatre Brussels

Rue de Laeken 66 1000 Brussels

Frid April   26th 19:00

Heïkel Ben Mlouka, Zénoë Benoit, Kaya Freeman, Victor Guezennec-Schmidt.





"Une matière sonore en mouvement 

à partir de nappes électroniques 

où se mêlent des instruments acoustiques, 

des voix, du silence, 

des poèmes et des musiques traditionnelles

pour atteindre un état de contemplation 

et d’attention qui favorise

l'accès aux fréquences subtiles

et aux sens cachés du son.

Cet espace permet au public de se laisser infuser par la musique, de s'y endormir, d'y rêver, d'en sortir et d'en revenir."

In 7€, all for the Artists

Heïkel Ben Mlouka, Zénoë Benoit, Kaya Freeman, Victor Guezennec-Schmidt.
Sur le LinkTree il y a des liens vers des vidéos !
https://linktr.ee/1000murmurs1

Welcome, the Family ! Gerard

Haekem: ^^^^^ Bárbara presents: ^^^^^ Wed April 24th 19:00

Visual Gerard Daval AI

Haekem Theatre and Wild Goose Chase collaborate for the first time for the occasion!!


“Wild Goose Chase Records presents:
UPDATE
"Les amis nos morts" c'est mort!
It costs 35 euros for an older van to come to a LEZ(Low Emission Zone) zone, so it gets too expensive for some artists to play in Brussels.
Buuut, the beautiful flower Vallée des Fleurs comes and replaces him!!!
"Vallée des Fleurs est un troubadour chantant des louanges à des évènements et des objets insignifiant. C'est un amour particulier qu'il cultive et enrobe de sons de guitar et de violon, le tout sur son lit de pedals d'effets utilisées avec ou sans parcimonie. Un mélange entre la musique médiévale, la musique du passé proche et du future lointain, VDF propose entrée, plat, et dessert musicale pour tout palet ou palais.
Un projet solo de Jonah Blumenthal, multiinstrumentalist basé à Bruxelles et actif dans divers groupes de musique de style différents.
https://linktr.ee/valleedesfleurs"

Mabàh is sound architecture, where the bricks are slippery as words and the foundations are made of whispers.
Little Musgrave, ah, this one builds moving walls around us, which gently(sometimes less so) gathers us closer together as a public with his beautiful lyrics. A chuckle here, a small gasp of wonder there, and a sad nod of understanding, his compositions are excruciatingly good, and his performances always different.

***Vallée des Fleurs***
"Vallée des Fleurs est un troubadour chantant des louanges à des évènements et des objets insignifiant. C'est un amour particulier qu'il cultive et enrobe de sons de guitar et de violon, le tout sur son lit de pedals d'effets utilisées avec ou sans parcimonie. Un mélange entre la musique médiévale, la musique du passé proche et du future lointain, VDF propose entrée, plat, et dessert musicale pour tout palet ou palais.
Un projet solo de Jonah Blumenthal, multiinstrumentalist basé à Bruxelles et actif dans divers groupes de musique de style différents.
https://linktr.ee/valleedesfleurs"


******Mabàh*******
Mabàh est le projet solo de la musicienne française Sarah Foulquier. Issue d’une formation classique au conservatoire d’Avignon et diplômée des Beaux-Arts, elle a joué en duo avec Monte Isola ( Myriam Pruvot) à Bruxelles avant de créer son propre projet musical en 2019.
C’est une musique d’images, de mots, d’harmonies qui se mêlent et se démêlent, s’agençant en une composition sensible et singulière. Avec son alto et sa voix, des ritournelles et des nappes envoûtantes, Mabàh nous emporte dans l’intimité vers des paysages sonores inspirés du présent, chantant et partageant des émotions à fleur d’actualité.
Son premier album «Ronde» est sorti en 2022.
https://mabah.bandcamp.com/

****Little Musgrave****
"The music that Joey Wright makes as Little Musgrave pulls at the threads of the ballad tradition until it starts to come apart at the seams. Though the ghosts of a more conventional troubadour style can be discerned here, Wright’s highly original songs take in everything from speaker-blowing industrial electronics to the avant songcraft of artists like Scott Walker, Xiu Xiu and Einstürzende Neubauten. "
by Fred Mikardo-Greaves
https://littlemusgrave.bandcamp.com/album/matches
https://www.youtube.com/watch?v=SFG7k4_YsfQ
https://www.youtube.com/watch?v=6HjPvMdeNvg
Doors open at 18h
7 euros“

Welcome the Family!

Gerard Daval

Visual: Thibault Legallet 

https://www.instagram.com/thibaultlegallet/

Haekem: Mia Zabelka & Audrey Lauro Friday April 19th 19:00

Visual Gerard Daval AI

IMPROVISED MUSIC

We are proud to invite you to this incredible concert, involving these two Internationally Re(k)nown Improvisers.

VIOLIN AND SAXOPHONE ALTO
Mia Zabelka & Audrey Lauro


Friday April 19th 19:00
Haekem Theatre Brussels
rue de Laeken 66 - 1000 Brussels
Metro De Brouckère or Ste Catherine




Mia Zabelka
https://www.miazabelka.com/

In 2021, Mia Zabelka was awarded the Austrian Art Prize in the category „Music“ by the Federal Ministry for Arts, Culture, Civil Service and Sport.

Since 2021 Mia Zabelka has been an „ALUMNI honorary member“ of the „MUK – Musik und Kunst Privatuniversität der Stadt Wien“.

“Mia Zabelka shows that ambience, electronics and improvisation can imposingly co-exist. That is if the music is composed and performed with decisive goals in mind.” Ken Waxman / Jazzword (CA)

“..If someone had asked for an update for the soundtrack to Tarkowski’s »Stalker«, here would be the answer.” Christoph Benkeser/ SKUG Magazine (AT)

“…a virtuoso escape hatch out of our imaginations”; my advice would be, jump right in.” Ed Pinsent/ The Sound Projector (UK)

“…The Quantum Violin is a fascinating, intriguing, dense and vividly detailed soundworld of plucks, scrapes and less identifiable aural phenomena.” Daniel Spicer/ The Wire Magazine (UK)

“…Zabelka proves once more to be a very expressive and self-conscious performer. She likes to keep things a bit rough but is also technically very skilled. So, her improvisations have much to offer, often reaching strongly vibrating and glowing moments. All her ideas and skills are in function of a strong focus and sense of direction. A very solid and convincing work.“ Vital Weekly (NL)

“…If two things are immediately obvious and surprising, then on the one hand the range of the – sometimes dense, sometimes minimal, sometimes repetitive, sometimes unpredictable – repertoire of sounds and patterns, on the other hand the realization that all this can be done with the right touch of a violin.” African Paper (DE)

“…Traditionally the solo violin recital is more commonplace in the so-called classical world than in Jazz. So, it’s no surprise that this high-quality instance of string improvisations arrives from a European whose initial background was in notated music.” Ken Waxman/ JazzWord (CA)

“…Zabelka, Meierkord and Icostech deliberately go deeper and challenge, they form musical arcs of tension that unfold a wonderfully attractive and almost hypnotic effect that you can hardly escape. And it is precisely this aspect that makes the pieces by this trio a real listening experience.” Michael Ternai / Music Austria (AT)

“AFTERSHOCK Vol.1” Best Album 2020/ 2021/ Marlene Schnedl/ ORF Ö1 Zeitton (AT)

“…These complex soundscapes are just phenomenal when listened to in the right mindset. Abstract and touching at once.” Geert Ryssen/ fullcirclemusic (BE)

“If the sounds of Quantum Violin enacted by Mia Zabelka and Glen Hall are remarkable — dense miasma from which undulate denser waves and through which eventually pulses a vibrant heart — so too are the means by which they were accomplished.” Disquiet (USA)

„QUANTUM NOIZE aka Mia Zabelka & Conny Zenk“ Best Live Acts 2019/ SKUG Magazine (AT)

„The excellent experimental Violinist Mia Zabelka“ Shane Woolman/ The Wire Magazine (UK)

“Mia Zabelka improvised violin play comes from the Hitchcockian folds of the brain, making hairs stand up, spinal columns straighten and senses sharpen at the sheer menace of her performance.”
Incubate Festival Tilburg (NL)

“Mighty mistress of the contemporary violin takes you further into the sound with malstrom. Mia Zabelka is a wondrous violinist who takes adventurous journeys into uncharted musical territories.” Pauline Oliveros (USA)

“Mia Zabelka`s work is visceral, cerebral and sensual. A gorgeous, haunting sound which employs classical interpretation and experimental improvisation to transcend musical genres, creating a sonic surround uniquely her own. She inhabits a sonic universe lush with soul cleansing vibrancy”. 

Lydia Lunch (USA) “Cellular Resonance is best when firmly maximalist-minded. Check the fractal, resin-scorched havoc ‘Cellular Resonance #5’ brings to bear, or how the industrial-metal loop-de-woooooo ‘Cellular Resonance #2’ threatens to sprain eardrums and peel paint from hubcaps. What life is all about.” Raymond Cummings (USA) 

„Highly inventive work from the Austrian violinist Mia Zabelka on her M… Zabelka’s full of variations and ideas on this album“ SoundProjector Magazine (UK)

„Mia knows like no other to tell a story with her instrument(s). Fascinating, beautiful and thrilling stories that will move you. If you can do that, besides all virtuosity, then you are a big one.
The capital M from Masterful, Magical and Mesmerizing …” Caleidoscoop (NL)




“The Austrian violinist Mia Zabelka performs miracles on her instrument. Her solo album Cellular Resonance makes clear how far she can push the limits of her strings.”
Gonzo (NL)

“Viennese violinist Mia Zabelka has, with Cellular Resonance, produced one of her most panoramic soundscapes to date, a miasmic, tactile, kinesthetic, cautiously exuberant voyage to far-off and far-out sonic spaces.” The New York City Jazz Record (USA)

“A plethora of slanting melodic lines, spiraling ravishment in mostly mono-tonal environments, coarse timbres clogging the throat quite a bit, droning components with a punkish edge. In general, engrossing material. When Zabelka raises the gestural franticness of the arco up to higher levels things get even more intense.” Touching Extremes (IT)

“Pressing play on Cellular Resonance is like stumbling upon an ancient tree in the middle of a forest, standing before a structure that has endured years of growth and self-nurturing before I arrived. That profound depth is always there, orchestrating those seemingly haphazard collisions, turning each rabid rasp of static into a sculpture of beautiful angles and deftly pinched edges. Like a storm, the sudden drama of the event is merely the fleeting final consequence of a precise, long-nurtured orchestration of elements.” ATTN:MAGAZINE (UK)

Austrian violinist-vocalist Mia Zabelka is considered to be a leading figure in the international scene of electroacoustic music, known for her innovative and boundary-pushing approach to music, incorporating elements of noise, drone and improvisation into her compositions. Using a unique musical language that she describes as ‘automatic playing’. Zabelka allows the sounds to be generated by her own body and gestures in combination with acoustic and electric violin, her own voice, electronic devices and all kinds of strange sound objects. Using this set up she is given the opportunity to expand the sound range so extensively that the violin itself becomes an interface and/or an electronic sound generator. She has released multiple album

Audrey Lauro

http://www.audreylauro.com

Brussels-based saxophonist A.L trained in composition, jazz and contemporary music. She then devoted her energies to experimental music and particularly to improvisation, constantly questioning the language of instrument, phrase and sonic event.

«From phrase to sonic event through all kinds of atoms and particles».

A.L started in 2002 a jazz cursus at the Koninklijk Conservatorium Brussels and contemporary composition cursus at the Conservatoire Royal de Liège. Since then she has spent the last decade developing her music on experimental music scenes in Belgium and abroad.
She meets on her artistic path recognized musicians such as Mark Sanders, John Russell, Lawrence Casserley, Alison Blunt, Maggie Nicols, Steve Noble, Bernard Santacruz, Makoto Sato, Alexander Hawkins, Ken Vandermark, Sabu Toyozumi, Marc Ribot, …

Her discography includes more than fifteen releases since 2008, the album solo «Sous un ciel d'écailles» was released in 2022 on the Gent label El Negocito records, retracing a work for saxophone solo started in 2011.

As an alto sax player focusing mostly on free improvised music, she’s also involved in multidisciplinary music projects.

In 2012-2013 A.L curates two editions of the festival Wolves Stories in Brussels. She invites to join the "Wolves" Maggie Nichols, Mia Zabelka, and 8 other improvising musicians to create portraits of women through music, texts, films and experiments. In 2013 she invites Stine Janvin Motland to perform with the collective.

Since 2013 A.L regularly worked with the innovative production platform/ensemble for multidisciplinary music projects ChampdAction performing in several productions of the collective :

- 2013 "Hold Your Horses" Grand Opéra de trash in 27 acts and entr’actes more infos - trailer

- 2014 "P-TRAINS (Astrin Phosphora)" in 20 Nov 2014 at DeSingel, "Ann Eysermans et ChampdAction" more infos - trailer

- 2015 "HRZSCHMRZ" "In the opera HRZSCHMRZ Serge Verstockt and ChampdAction put the spotlight on ‘love’. They ponder the ever advancing digital world that engulfs us in our daily reality." more infos - trailer

In 2016 A.L worked currently with Q02 (workspace for experimental music and sound art based in Brussels), B R O N K S (Theater for a young audience / Brussels) and The National Theater "La Monnaie" for the creation "It's Frankestein Stupid", presented in may 2016 during the European Opera Days. more infos

In 2020, A.L is invited to join the collectif C-IME (Canopée Improvisation Music Ensemble) hosted at Le Brass in Brussels to develop its musical research.

In May 2023, A.L is invited by the Canadian ensemble GGRIL for the creation of her piece "Ritournelle Reverse". " video


Since 2007 A.L conducts musical workshops with teenagers and children and regulary works in secondary education.

Visual ©Laurent Orseau

Haekem: Gravité Légère Imprevusation Sat April 13th 20:00

 

SATURDAY APRIL 13TH, 20:00

IMPROVISED MUSIC

pls see :

https://www.facebook.com/share/nPP4NwdPKBdAh7dT/?mibextid=WC7FNe

YOU WELCOME!

Gerard Daval

#solangelabbe #nuacademique #feyd #dararatchemnasri #haekem #haekemtheatre #gerarddaval  #brussels #improvisedmusic #fyp #foryoupage #fypシ #trend #trendingmusic #trending,

Haekem Theatre Brussels

Rue de Laeken 66

1000 BX

Haekem: ≈~ Y S A L I N E & L U C A S ~≈ Friday April 5th 19:00

Visual: Ysaline

"Concert d'Ysaline, 

jeune chanteuse belge 

qui sera au Haekem Theatre 

à Bruxelles ce vendredi 5 avril, 19:00

Portée avec énergie 

par l'accompagnement de Lucas à la guitare, 

ses compositions, 

qu'elles soient en français ou en anglais, 

prennent vie dans un univers acoustique 

où la pop et le folk se rencontrent naturellement. 

Avec sa voix grave et son joli timbre, 

Ysaline nous plonge dans son monde intérieur, 

où ses pensées foisonnantes, 

empreintes de sensibilité, 

s'évadent spontanément en musique."

Site web Ysaline :
- https://ysalinemusic.com


YouTube :
- https://www.youtube.com/watch?v=UcOUmCViB54&list=OLAK5uy_mZyM2BYc6x1WN9CCIEXlb0y7KW_ozubsc


Spotify :
- https://open.spotify.com/album/7Kg3BmNYZq9ZuuJOk4QCwa


Deezer :
- https://www.deezer.com/en/album/381688507


Instagram Ysaline :
https://www.instagram.com/ysalinemusic/



Instagram Royal Barouf (groupe de Lucas) :
https://www.instagram.com/royal_barouf/

Facebook Event

https://www.facebook.com/events/1612163626265202

https://www.facebook.com/share/JTGHhWTdhoFpCsH1/