Haekem: Luís Vicente I Daniele Martini I Giotis Damianidis I Aleksandar Škorić Tuesday Oct 10th - 19:00

Illustration Gerard Daval (AI)

 v

Tuesday October 10th - 19:00

Part1

Adam Holquist: guitar, piano, field recording...

Part2

Luís Vicente: trumpet
Daniele Martini: sax

Giotis Damianidis: guitar
Aleksandar Škorić: drums

Luís Vicente  I  Daniele Martini   I  Giotis Damianidis  I  Aleksandar Škorić

Everyone knows them! An incredible quartet not to be missed.

Photos Luís Vicente, Daniele Martini, Giotis Damianidis, Aleksandar Škorić

Adam Holquist "Onewayness"

Onewayness is Adam Holquist, a composer, musician, sound designer, and multimedia creator from Erie, Pennsylvania, USA. He uses guitars, pianos, analog and digital synthesis, spoken word and field recordings, and a variety of hardware and software tools to create atmospheric and textural music which draws influence from a variety of sources. These may include: ambient, drone, minimalism, post-rock, and vintage and contemporary electronic 'listening music'. His performance at Haekem will be the last date of his first ever European tour.

Photo Adam Holquist

You are welcome

Gerard Daval

Doors open at 19h00
First Concert at 19h30

In: 10€ ALL FOR THE ARTISTS

Haekem: Kodian trio - Wed Oct 4th -19:30

Improvised Experimental Music

Free Jazz aesthetics

Wednesday Oct 4th, 19:30

Colin Webster: alto sax

Andrew Lisle: drums

Dirk Serries: electric guitar

Kodian Trio

Kodian Trio have only been together since 2015. The trio of Colin Webster on alto sax, Andrew Lisle on drums, and Dirk Serries on electric guitar has been touring extensively ever since their inception. The shared experiences of the road, studio, travel, evinces a group sound which is constantly shifting, solidifying, and disappearing completely - true to the essence of free improvisation. 

Kodian Trio's 3rd studio album - and their second for Trost Records, was recorded in one intense live session at the White Noise studio in The Netherlands during a day-off on a European tour. On this album the trio shows the core strength as a unit gained from their live experiences, and a band in top shape. Yet within the turmoil there is also a sense of joy, and most importantly a perfect dialogue.

KODIAN TRIO is not a power trio per se but a band that combines free jazz aesthetics with modern experimentation.

https://www.youtube.com/live/jeQjuP0uT_Q?si=2c-8kNjMfJFt-ijv

You welcome

Gerard Daval

IN: ALL FOR THE ARTISTS

KODIAN TRIO live at SCHEUNE Dresden 2022

KODIAN TRIO at Het Bos 2018 photo by Jef Vandebroek

KODIAN TRIO

“Kodian Trio … blasts through, mashing free improv clicks and clatters
with free jazz-inspired hoots and hollers, all wrapped up in a waistcoat of gimlet-eyed punk attitude.” – Paul Margree, We Need No Swords Some are building directly on the foundations of pioneers while others are always on the lookout for fresh, contemporary sounds, or try to combine them. 

But they’re all united by a similar curiosity, a search for finding their own voices, and a never-ending reinvention of themselves.

Improvising power unit KODIAN TRIO rose from the ashes of a scorching concert at London’s Café Oto in 2015. Already eight years later and armed with three major studio albums and multiple live appearances later, the trio have become major contenders on the fertile and outwardlooking European scene. The trio is a working band in a constant explorative phase, from the first modest steps to the confident live reputation they have created. KODIAN TRIO is a unique one with 3 strong musicians constantly challenging themselves to move further and  beyond.

This is free music that actually lives up to its ambitions and frequently uses its maximum potential for individual and collective freedom, while at the same time maintaining a coherence that only becomes apparent with repeated and/or intense listening. It requires an effort, but the rewards are an insight into a unique musical language.

“the three confidently navigate their way through real-time improvisations scalding to the touch. Yes, blistering episodes surface—dissonant squeals from Dikeman, prickly shards from Serries, and volatile flourishes by Lisle—but so too do fleeting moments of calm as the trio brings a unified sensibility to the undertaking. With the exception of the surprisingly restrained fifteen-minute closer “III,” I catches the trio breathing communal fire: imagine forty-six minutes of bristling, molten improv and you’re in the right ballpark. I offers compelling exercises in musical democracy.” Textura – Canada “Kodian Trio biedt de luisteraar geen hapklare brokken muziek, maar levert met ‘I’ een ruwe, wringende en stompende plaat af die om veelvoudige beluistering vraagt alvorens het muzikaal gebodene volledig op waarde kan worden geschat. Hoeveel de muzikanten soms ook tegen elkaar in lijken te musiceren, steeds blijft – soms op  onnavolgbare wijze – de controle behouden. In de ontoegankelijke, bij tijd en wijle abstracte muziek ligt een flinke dosis inventivieit en subtiliteit verscholen van drie uitblinkende vrije impro-musici.” Opduvel – The Netherlands

“These musicians are far too talented to simply go hell for leather or indulge in macho noise grandstanding. Instead, their noise-making has an intricacy and control while still sounding spontaneous and raw. Webster tends to avoid the obvious low end raunch of the baritone, using its sheer physicality to lend force to high register squalls and breath effects. His introduction of the alto sax halfway through the third side is an unexpected delight, as he embarks on a bright, Eastern European tinged solo over some of Lisles’s most energetic and inventive drumming. The long drones and deconstructed funk of the final side bring further evidence of this trio’s resourcefulness and imagination.” The Quietus – UK 

London based saxophonist Colin Webster is known for working from extreme sonic palettes – from minimal to maximal, constantly pushing boundaries. Equipped with a razor-sharp, punk spirit, and ferocious technique, Webster has established himself as a unique voice on the European avant-garde scene, regularly collaborating with many of the key figures in improvised and experimental music.

Also based in London, Andrew Lisle’s quick and highly textural playing is making him highly in-demand in the fertile improvisation community. In turns both propulsive and abstract, Lisle has works with many leading voices on the UK and European improvised music scene, including Kit Downes, John Edwards, Ab Baars, Rodrigo Amado and John Dikeman. 

Dirk Serries – curator of the A New Wave of Jazz label – is hardly your average improvising musician. Even though the man has a fondness for the classic free jazz of the sixties and seventies and the current updates, his own talents lie elsewhere. As a master of texture, a skill which he’s been able to forge and refine for more than 30 years (as vidnaObmana, Fear Falls

Burning, Microphonics, with collaborative projects and, more recently, under his own name), he has always been involved in the more abstract, or sound-oriented wing of experimental music. Serries is now less reliant on his trademark effects and loops. A new ‘naked’ language that veers from gentle strumming to scribbling, pointillism, and occasional outbursts of disjointed howls. 

Pulling from his great experience in the worlds of ambient and industrial music, as well as from masters like Derek Bailey, Serries’ approach is improvisation that relies purely on his relationship with his electric guitar, prepared or not.

Haekem: Alternative Guitar Festival - Frid Oct 20th 20:00 & Sat Oct 21th 17:00 & Sat Oct 21th 20:00

 

Haekem: RETINA invites Laura Conant- Sat Sept 30th FROM 17:00 TO 22:00

Laura Conant https://soundcloud.com/laura-conant

Retina start his new season at the HAEKEM theatre.
This time we will seek to create an instant gate out of reality where music, dance and projections will be one.
And for this one we’re glad to invite Laura Conant and to offer an exclusive audioreactive digital visuals, set-up by Agathe (https://instagram.com/olga.corniski) & Kevin K
Laura Conant is one half of the Brussels based label and event series MONTAGE. 

The producer and DJ is known for various mixes and radioshows, exploring different styles and musical scenes. 

Her sets focus on a broad range of genres, always with a hint of experimental sounds. Influenced by everything between ambient, breaks and post-club dance music, she provides both ecstatic as introspective moments in her mixes.
https://soundcloud.com/laura-conant
https://instagram.com/lau_c_n_n_t
Soundsystem NEXO
66 rue de Laeken, 1000 Bruxelles - 5pm to 10pm
Haekem theatre is an old brothel on Laeken street. It’s an intimate place, with live music and performances.

Immersive Chillzone

Haekem: MAMA BISHOP - Thursday Sept 28th - 19:30

Improvised Music

MAMA BISHOP live

Followed by an acoustic jam WITH YOU starting from 21h

Entry fee : Up to you !

PLS: Help MAMA BISHOP finance his first EP to be released on the 14th of November !

C’est en l’an de grâce 14 après MJ que le groupe Mama Bishop émerge de la dimension quantique.
Il s’agit de la rencontre made in Brussels de 7 musicien.ne.s qui ont pour vision de créer une musique qui leur ressemble à travers les valeurs des 70’s : l’amour, l’esprit, la beauté et le vivant.
C’est donc 7 personnalités distinctes avec chacune leurs influences propres dont les savoirs, expériences et sensibilités fusionnent dans un mélange de genres. La soul, le jazz, la funk et la pop s’harmonisent avec un grain d’innocence et l’énergie qui convient pour vous proposer, avec humilité, une musique curieuse et génératrice de plaisir.
Leur musique se caractérise par des beats bien propres, des claviers organiques, une rythmique funky, du bon groove, des percussions, une voix soul et des trompettes de la mort.

You are welcome!

Gerard

Haekem: Ensemble GAMUT! & Delle Donne Consort - Wed Sept 27th 19:30

Illustration Gerard Daval (AI), photos Ensemble Gamut! and Della Donne Consort

Improvised, Electronic and Early Music! Exceptional!

EUROPEAN TOUR

Ensemble Gamut and Delle Donne Consort are researching new ways to perform early music. During this try-out / concert they join forces through improvisations, arranged early music repertoire and live electronics.

Ensemble Gamut! Rehearsal day before concert, Haekem

Part I

Ensemble GAMUT!

Bio
Ensemble Gamut! is a fresh, experimental collective of early music and folk music specialists, who are constantly searching for new ways to perform early music. They combine historical instruments and electronics in an innovative way, and have created their own unique world of sounds using medieval and renaissance music, Finnish folk tunes, improvisation and modern soundscapes.

The name of the ensemble is derived from medieval music theory (Guido of Arezzo), but also means a colour reproduction, a subset of colours. Kamut means “friends” in Finnish, and the word Kamu is also a shorthand way to refer to Finnish folk music (kansanmusiikki).

Their debut album, UT was released on 4 December 2020 on Eclipse Music. The title refers to the Swedish word for being outside, going out, or being without someone (utanför), as well as being the first note of the scale. Gamut – Gamma ut! On 25 November 2022, Eclipse Music released RE, the second album of Ensemble Gamut!.

Ensemble Gamut! has performed extensively from club gigs to museums, medieval churches and concert halls.

Musicians
Aino Peltomaa – voice, harp, percussion, electronics

Aino Peltomaa is a Finnish singer and musician, widely performing medieval, renaissance, contemporary and improvised music. Peltomaa collaborates actively with musicians and artists from different genres and regularly performs in Finland and abroad. Her innovative projects combine elements from early music, folk music and jazz, visual arts, dance and multimedia. Peltomaa performs with choirs and ensembles and collaborates regularly with internationally renowned conductors and artists. Peltomaa is actively asked to work with choirs and her vocal arrangements have been performed by such ensembles as Emma Salokoski Voices.

Peltomaa’s most recent album ÆR with her trio Peltomaa Fraanje Perkola for the prestigious label Outhere Music was released in early 2021. It gathered great international reviews and was chosen as the album of the week by the French National radio Musiq3. The debut album of Ensemble Gamut! for Eclipse Music, UT, was chosen as one of the best progressive albums of the year 2020, and received the Finnish Early Music Association’s “Early music achievement of the year” prize. As a lyricist Peltomaa debuted for the Belgian label Aspen Edities in 2019 with duo ‘k:amos, together with Belgian double bass player and composer Nathan Wouters.

Peltomaa has directed and performed Ordo Virtutum by Hildegard von Bingen with the Finnish Kaari Ensemble, and premiered Antonio Teodoro Ortells’ Passion in Finland in collaboration with Andrew Lawrence-King. She has premiered contemporary pieces from Petros Paukkunen and Juhani Vesikkala. Peltomaa directs and co-directs many groups: Ensemble Gamut! (early music, Finnish folk music, impro, electronics), Peltomaa Fraanje Perkola (piano, viola da gamba, electronics and voice), Harmony of the Spheres (electroacoustic planetary surround soundscapes & Hildegard von Bingen’s chants), trio Sufira (medieval and contemporary music, Amor Céu (medieval music), Aino Peltomaa & Eija Kankaanranta (early and contemporary music). She is also a member of groups such as Aition, early music ensemble Kaleidos and the Helsinki Chamber Choir. Peltomaa has studied early music performance practices with Patrizia Bovi, Dominique Vellard, Baptiste Romain, Guillermo Perez, Corina Marti and Michal Gondko.

Peltomaa teaches and holds retreats that combine Gregorian chant, meditation and yoga and has received various grants for her artistic work. She holds master’s degrees in music and psychology

.Ilkka Heinonen – jouhikko (the bowed lyre), viola da gamba, G-violone, vocals, electronics

Ilkka Heinonen is a Helsinki based musician and a composer playing jouhikko (finnish bowed lyre), double bass and G-violone. In addition to the groups based on European folk music traditions, Heinonen has worked as a soloist and in orchestras in contemporary and early music concerts and projects.

As one of the pioneers of Jouhikko, Heinonen has been expanding the use of the instrument: In his solo program, Heinonen explores the borderlines of the sacred and the profane in the Karelian Jouhikko music and Early music performance practices. The experimental sound of Ilkka Heinonen Trio has been influenced by as well as the European jazz and the Renaissance music (“Savu” 2015 and “Lohtu” 2021). Heinonen plays Jouhikko and Violone in the progressive early music group Ensemble Gamut! (“UT” 2020), a jouhikko quartet Jouhiorkesteri, in the band of Sámi singer Ánnámáret (”Nieguid Duovdagat” 2021) and in several temporary chamber music ensembles. . Ilkka Heinonen premiered all the concertos so far composed for jouhikko (Page 2013, Nagaraja 2017) and performed as soloist with Finnish Radio Symphony Orchestra, Caput Ensemble (IS), Uusinta and Avanti chamber orchestras amongst others.
Heinonen’s multifaceted playing of double bass and G-Violone can be heard in several albums and concerts ¬– in particular in the ensembles based on Nordic and Eastern Europe folk music traditions, Contemporary dance productions as well as in the various Early music ensembles.
Ilkka Heinonen is preparing his artistic doctoral degree “Folk musicians in the palaces – the development of musician expression through historical conventions” in Sibelius Academy’s MuTri doctoral School in the University of the Arts, Helsinki. The artistic entity includes the concerts “Ladogan Joutzicandele-cuningat” (2016), “Basso Ostinati per lo Jouhikko” (2018) and “Echoes of the Karelian Saints” (2020) and an upcoming solo album (2021).Juho Myllylä – blockflutes, vocals, electronics

Juho Myllylä is a recorder player, guitarist, singer and songwriter. He studied recorders at the Conservatory of Amsterdam with Jorge Isaac, and graduated with a master’s degree in 2020.

Juho works with the world-renowned renaissance recorder ensemble The Royal Wind Music since 2016. With the Finnish Ensemble Gamut! Juho is in constant search for new ways to perform early music through the fusion of medieval and renaissance music, folk music, improvisation and electronics. Their critically acclaimed debut album UT was released on Eclipse Music in 2020. Juho has also performed solo at such venues as the prestigious Concertgebouw Amsterdam.

Winner of the Nordic and Baltic EAR-ly 2016 early music competition, and of the International Van Wassenaer Competition 2019, Juho strives for open-minded musicianship across styles and versatility regardless of imposed genre classifications. He feels passionate about earlier repertoire – medieval and renaissance music, yet is especially interested in the recorders’ countless possibilities in contemporary and new music and working with composers, with a steadily growing number of new works written for and premiered by him. Jazz, fusion, rock, prog, experimental, electro-acoustic, live electronic, soundtrack and film music are an integral part of his musical landscape. During his studies at the Conservatory of Amsterdam Juho minored in electric guitar, studying with Hans Kunneman, and besides recorder playing is active as a rock musician; he is the guitarist-singer-songwriter for the progressive alternative rock band Burntfield, with two albums released on Progressive Gears Records: the debut Hereafter in 2018 and the sophomore album Impermanence in 2021, which represents Burntfield at its most versatile and multi-layered yet.

Part II
Delle Donne Consort

Bio
Delle Donne Consort is a recorder ensemble, specialised in early music, in the meanwhile actively working on a new repertoire, using experimentation with Live Electronics.
‍
The ensemble starts a process of critical reflection and reinvention and is continuously looking for dialogue as part of its discovery and development.

Musicians
Frederike Van Lindt - General Director
Lieve De Sadeleer - Artistic Coordinator
Kinga Ludvai
Serena Agosto

https://www.delledonneconsort.com/

Haekem: P. A.R. Timmermans & K Vanderstraeten, G Piano, J Deville - Frid Sept 22th - 7:30PM

Illustration Gerard Daval AI

Improvised Experimental Music!

Illustration Kris Vanderstraeten

Part I

Paul A. R. Timmermans (P-ART)

"J'extrais les processus sonores de mon (bon) mini accordéon de mon enfance d'une manière inhabituelle – intuitivement et expérimentalement."

"Je vois l'expérimentation d'objets sonores comme un jeu musical plein de fantaisie et de timbre" 

Themes

1. WHITE MUSICAL BODY 

2. LITOPHONIA
Petits morceaux de lime brisés (son percussif du maillet), mini-morceaux de verre antique, le tout noyé dans de la laine de verre (pour une manipulation résonante libre), entourés de matériaux résonants.

3. FINGERFERTIGKEIT 

For paper piano.

4. MUSICAL EXPERIMENT WITH OBJECTS

Plastic bottle, Pebbles, Chinese cymbals, Ocean drum, Blue Antique Glass Plates.

5. ACCORDEON PRIMI

Bio
Paul A.R. Timmermans (P-ART), belgian composer, musician and multimedia artist, is a versatile and talented artist who continues to push the boundaries of traditional music and multimedia.

His work is sure to appeal to anyone with an interest in experimental and innovative music and art. His first self-released Meta LP (1983) is an unique and innovative collector’s item that showcases P-ART’s experimental approach to music. The album features a mix of electronic, classical, and experimental jazz influences, using electronic sounds and sound objects to create unique soundscapes. 

Whether he plays a synthesizer, a balafon, a piano or sound objects, the P-ART approach to musical creation is the same: 

“For me, an intuitive composition is an organic process in which the music is thrown into my lap, as it were. Spontaneously without a written plan. Only then the path will open itself in an authentic way to me, the instant composer. Whether a real composition is developing or not, it cannot be predicted or conducted by myself. It happens. I take the same approach when creating my multitrack recordings track by track, I call it meta polyphony.” 

Since 1999, P-ART launched its artistic paradise online (http://partweb.net/PARADISE/parindex.htm) and its P-ART Family (WEB OF ARTISTS). These artists affiliated to P-ART are engaged in the same wide field of new music and contemporary arts. With personal contributions to the P-ART WEB of ARTISTS.

All selected artists belong to the virtual P-ART family, all together and completely free. Look at: http://p-artweb.net/P-ART/PARTWEB/index.htm P-ART is the curator and pro bono publisher of “The P-ART Projects” (2002, 2015, 2016, 2017, 2018, 2022) – booklets first with CD, later with DVD - in which selected alternative artists from around the world (like Baudouin Oosterlynck and Mia Zabelka) participate and which also features some of his audio and video tracks. P-ART's CDs and DVDs ("White as Piano", "Musica Povera", "The Intuitive P'ARTy", "Microtona", "The Art of Silence" and "10XOPEN") are available via his website <p-artweb.net>.
P-ART performed solo impro concerts in Leuven, Brussels, Gent, Rixensart, Tielt-Winge, Heerlen (NL), Osnabrück (DE), Svendborg (DK), Vienna (AT).

Illustration P Timmermans

Disco: https://www.discogs.com/release/1233595-Paul-A-R-Timmermans-Meta

Part II
Kris Vanderstraeten (Drums)

Gasper Piano (Guitar) Slovenia

Joachim Neville (Trompet)

Gašper Piano is a Slovenian guitarist, composer, improviser, sound artist and poet. He is active as a freelance artist for performative art (theatre/contemporary dance/performance), visual art (multimedia/film/video) and acoustic/experimental/electronic music groups.

He was recognized in 2006 as a budding artist by the Slovenian Ministry of Culture. He collaborates on various projects with renowned choreographers/directors: Davis Freeman, Meg Stuart, David Zambrano, Mark L. Thompkins, Isabella Soupart and the musicians Bart Maris, Peter Jacquemyn, John Dikeman, Michael Schmidt, Hanne De Baker…

Since 2021, he regularly organizes improvised music sessions (“Adder Klank – Gatherings of spontaneous sound collisions”) and presents them while collaborating with various institutions and cultural places. Heis also active in social anthropology and culturology.

gasperpiano.bandcamp.co

Percussionist Kris Vanderstraeten is one of the best kept secrets of Belgian improvisation. Since the 1970th he has been working with his unique set-up and various collaborations: the trio Sureau, a duo with Timo Van Luijk, performances and/or recordings with young experimentalists.

Vanderstraeten does not play by the rules, he tries to shift them completely. His drum kit is not just any instrument; it is a sound generator to explore the maximum potential of texture, dynamics and space.

discogs.com/artist/617271-Kris-Vanderstraeten

Illustration Kris Vanderstraeten

HAEKEM: Akira Sakata/Giotis Damianidis duo - Sunday Sept 17th - 19:30PM

Improvised Music 

Sunday September 17th 7:30PM

Haekem Theatre
Rue de Laeken 66 Lakensestraat 
1000 Brussels 

presents

Akira Sakata/Giotis Damianidis duo

Akira Sakata

Akira Sakata (坂⽥明) was born in Kure-city, Hiroshima in 1945. Studied marine biology at
Hiroshima university. Formed a group Saibo-bunretsu (Cell fission) in Tokyo in 1969, and was
also performing with various free-jazz musicians during this time. Since the late 1960s, Sakata
has been a constant figure in jazz and creative music scenes as an ever evolving and adventurous, multi-instrumentalist, and member of classic groups such as Yamashita Yosuke Trio, from 1972 till 1979, and Wha-ha-ha plus many of his own, like the Sakata Akira mii.

He has recorded with Chris Cosey, Peter Brotzmann in Last Exit, DJ Krush, Yoshimio, and others.! !
In 2005 he began peforming with guitarist Jim O'Rourke, drummer Chris Corsano and acoustic bassist Darin Gray. They've since released three albums together. Friendly Pants is the first American release by Sakata in more than 20 years. It pairs the 65-year-old traveler alongside bombast Chikamorachi (Corsano/Gray) and O'Rourke as the producer.

Giotis Damianidis
Giotis Damianidis (b. 1981) is a Greek guitarist, bassist, improviser, composer.
He grew up in Thessaloniki and lives in Brussels since 2006 where he started exploring music, guitar and bass playing intensively until today. He has performed all over Europe and Africa playing different styles of music such as free jazz, free improvisation, Afro beat, funk, psychedelic rock with the research and exploration of improvisation being his main occupation and tool of expression the last few years. 

He had the chance to share the stage with musicians such as Akira Sakata, Sakis Papadimitriou, Oghene Kologbo, Tony Allen, Baba Ani, Balasz Pandi, Christos Yermenoglou, to name a few. 

He is leading the chameleon Quintet Punk Kong since 2015, he is co-founder of Act up trio, Don Kapot, Tape is rolling and side man in bands such as Man on Fire, World Squad, Giovanni Di Domenico’s Abschattungen and Aufheben & Ruth Tafebe’s Afrosoulmessengerz. In 2013 he founded his own label, Mr. Nakayasi, home of distinct and diverse music.

IN: 15€, ONLY FOR THE ARTISTS

You are welcome

Gerard Daval

Haekem: BroCoMi - Frid Sept 15th - 7:30PM

RESONARE 39
“Experimental & Spontaneous Music Series ”

Friday September 15th 7:30PM

Haekem Theatre
Rue de Laeken 66 Lakensestraat
1000 Brussels

presents

BroCoMi

Cécile BROCHÉ violin

Claude COLPAERT trombones, etc ..

Mike GOYVAERTS “extended” basdrum


French-Belgium trio shares their own musical experiences on sound, ethnical music,

blues, jazz influences and other

bizarre nerve impulses !


Free participation

You welcome

Gerard Daval

“De l’idée qu’a eue il y a quelques années le percussionniste

Mike Goyvaerts de s’adjoindre pour un concert à Bruxelles

la violoniste Cécile Broché et le tromboniste (entre autres)

Claude Colpaert est née l’envie de ce trio, qui prend plaisir

à se retrouver à chaque fois, que ce soit en Belgique ou en

France, pour prolonger alliages sonores peu usités et plaisir

de l’improvisation, au fil d’une écoute réciproque qui construit l’instant sonore en architectures inédites.

Haekem: MNPL - Frid Sept 8th - 8PM

Improvised Electronic music

MNPL is a Belgian electronic music duo based on performance and improvisation

Their music ranges from huge wall of sound made of noise drones to powerful experimental techno, by way of smooth ambient music.

Friday, September 8th - 8PM

Photo Marie Harsh

ambient set : https://soundcloud.com/mnpl/ghostpogo

noise EP : https://mnpl.bandcamp.com/album/m-ditation-interdite

drone track : https://www.youtube.com/watch?v=XB_VGVonTRg



instagram : https://www.instagram.com/mnpl_music/

facebook : https://www.facebook.com/MNPL.music


In: Pay as you can


You are welcome


Gerard Daval